FILM EXPERTS LOVED THESE 10 MOVIES IN 2015

 According to the film experts—and movie-lovers—in the Emory University film and tempat studies department, these are the best films of 2015.


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Their choices are based on films available to Atlanta moviegoers as of December 16, which means Star Wars: The Force Awakens and The Big Short are not included.


Beasts of No Nation — Eddy Von Mueller

Having already thoroughly discombobulated seri television with its binge-friendly, whole-season-at-a-go sensations like House of Cards and Orange is the New Black, streaming tempat powerhouse Netflix is now shaking up the fitur film racket with this beringas, brooding sinetron about boy soldiers in an anonymous, war-torn African republic.


Written, directed, and shot by Cary Joji Fukunaga, who made mighty waves with the first True Detective on HBO, and bolstered by a searing performnce by the redoubtable Idris Elba, better used here perhaps than in anything since The Wire, Beasts offers a compelling mixture of art house atmosphere and topical urgency that beautifully complements the 2005 novel from which it was adapted. Although it's available already on the small screen, it's a film more than pretty enough, important enough, and powerful enough for the big one.


The Best of Enemies — William A. Brown

The Best of Enemies smartly configures archival footage from the William F. Buckley Jr./Gore Vidal ABC News Debates held during the 1968 political conventions. Desperate to grab viewers on the cheap, ABC's executives decided to let two of the country's leading public intellectuals engage in a lively debate from the right and left.


Both Vidal and Buckley were straight out of central casting East Coast elites, acknowledged intellectual leaders of their respective ideologies. But what they shared was an intense kualitasal contempt that became the stuff of legend. Vidal was prepared and precise. Buckley was spontaneous and acerbic. It was great TV and a reminder that intelligent commentary can reach a mass audiens. It just takes two very smart debaters consumed by a individual animus that is obsessive, unrelenting, and memorably expressed.


Bridge of Spies — Robert Earl Barracano

Bridge of Spies is flawless late career Steven Spielberg/Tom Hanks. Hanks stars as a mild-mannered attorney who specializes in fender-bender settlements, has the super power of good negotiating skills, and is sucked into a world of spies and intrigue. The film does a fine job of creating the "spook" word of the Cold War and Mad Men-era New York. Another highlight is Mark Rylance's performnce as an unlikely deep-cover spy, who is completely the opposite of what we've come to expect in this zaman of Mission Impossible and Jason Bourne. Bridge of Spies is an old-fashioned, well-crafted American movie, almost naïve in its worldview but wonderful to spend two hours in; it even offers up a touching and sederhana lesson about the nilai of our constitution.


Carol — Ryan Cook


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